“I arrived at this system by accident, and I don't really know why it works.”
“I arrived at this system by experiment, and I don't really know why it works.”

Una rete di campionamenti, suoni e voci, viene tessuta con sistema o per combinazione, e
convogliata entro un territorio ridotto. Musicisti-timonieri, dal centro o dai margini del perimetro
così definito, manipolano, miscelano, tagliano, muovono in tempo reale le sorgenti sonore,
selezionate o derivate nei mesi a partire da consigli, dissuasioni, presenze, visioni raccolte. Una
factory, oggi, è un luogo di produzione culturale con obiettivi specifici: il tentativo sarà quello
di recepire con le antenne dei freaks le cose che stanno accadendo intorno, setacciando e
mantenendo quelle che più siano portatrici di grazia: una sublimazione non fine a se stessa ma
che inconsapevolmente sia rivelatrice di qualcosa.

“I arrived at this system by accident, and I don't really know why it works.”
“I arrived at this system by experiment, and I don't really know why it works.”

A network of samples, sounds and voices, is woven by method or by chance, and is channeled
into a small-scale territory. Proceeding from the center or from the premises of such an area,
musicians/helmsmen knead, mix, cut, move in real time a set of sound sources selected or
drawn during a several months time following advices, discouragements, ghosts, visions. Today
a factory is a place committed to culture production with specific purposes. We are trying to use
freak antennas to receive things happening around, sieving them and keeping the ones which
bear some kind of grace. A sublimation which shouldn’t be an end in itself, but shall unwittingly
reveal something.